First Player’s Speech In Hamlet by William Shakespeare contain a place as a powerful and emotional within the play. It also known as “The Murder of Gonzago.”
This particular scene occurs in Act 2, Scene 2 of the play Macbeth. It also holds significant importance in the narrative.

Speech’s Text
Full thirty times hath Phoebus’ cart gone round
Neptune’s salt wash and Tellus’ orbed ground,
And thirty dozen moons with borrowed sheen
About the world have times twelve thirties been,
Since love our hearts and Hymen did our hands
Unite commutual in most sacred bands.
So many journeys may the sun and moon
Make us again count o’er ere love be done!
But woe is me, you are so sick of late,
So far from cheer and from your former state,
That I distrust you. Yet, though I distrust,
Discomfort you, my lord, it nothing must.
For women’s fear and love holds quantity,
In neither aught, or in extremity.
Now, what my love is, proof hath made you know,
And as my love is siz’d, my fear is so:
Where love is great, the littlest doubts are fear;
Where little fears grow great, great love grows there.
My lord, you must tell us
where the body is and go with us to the King

Stanza Wise Explanation
Full thirty times hath Phoebus’ cart gone round
Neptune’s salt wash and Tellus’ orbed ground,
And thirty dozen moons with borrowed sheen
About the world have times twelve thirties been,
Explanation
These lines from Hamlet by William Shakespeare explain the passage of time. The speaker reflects on the passage of thirty days, symbolized by the movement of Phoebus (the sun) and the orbit of Neptune (sea) and Tellus (Earth).
The mention of thirty dozen moons (360 moons) emphasizes the time of twelve thirties. It indicate a significant period of time that has passed. These lines highlight the cyclical nature of time. It emphasize its steady progress and the profound impact it has had on the world.
Since love our hearts and Hymen did our hands
Unite commutual in most sacred bands.
So many journeys may the sun and moon
Make us again count o’er ere love be done!
Explanation
In these lines from First Player’s Speech In Hamlet. In these lines the speaker reflects on the league of love and marriage. They emphasize connection between hearts and the sacred bond of marriage formed by Hymen, the god of marriage.
The reference to the sun and moon’s journeys shows the passing of time. It also suggest that one might recount numerous cycles before love fades away.
It saves the enduring and cyclical nature of love, indicating that even after many experiences, love remains a significant and lasting part of life.

But woe is me, you are so sick of late,
So far from cheer and from your former state,
That I distrust you. Yet, though I distrust,
Discomfort you, my lord, it nothing must.
Explanation
In these lines from “Hamlet,” the speaker expresses sorrow over someone’s recent melancholy and distance from their previous state. The speaker admits to fake feeling because of this change but insists that despite their doubts, they won’t add to the person’s discomfort.
This heartfelt expression conveys empathy toward the person’s sadness while acknowledging their own apprehension. It’s by showcasing a desire to alleviate any further distress despite lingering uncertainties.

For women’s fear and love holds quantity,
In neither aught, or in extremity.
Now, what my love is, proof hath made you know,
And as my love is siz’d, my fear is so:
Explanation
In these lines from “Hamlet,” the speaker reflects on the relationship between women’s emotions of fear and love. They suggest that these feelings don’t adhere to any specific measure or limits, neither in lack nor in excess.
The speaker implies that the proof of their love has made the recipient aware, and just as their love is substantial, so is their fear.
This highlights the speaker’s acknowledgement that their emotions, both love and fear, are profound and significant, transcending any defined boundaries or extremes.
Where love is great, the littlest doubts are fear;
Where little fears grow great, great love grows there.
My lord, you must tell us
where the body is and go with us to the Kin
Explanation
In these lines from “Hamlet,” the speaker discusses the relationship between love and fear. They suggest that in situations where love is profound, even the smallest doubts can evoke fear.
Conversely, when minor fears escalate, it signifies the presence of intense love. This reflection signifies the intertwined nature of these emotions.
Additionally, the speaker’s plea to Hamlet to reveal the body’s location. And also the accompany them to the King adds a sense of urgency to the scene, emphasizing the importance of revealing the truth and taking action within the play’s narrative.
Themes Of The First Player’s Speech In Hamlet
| Theme | Brief Description |
|---|---|
| Nature of Tragedy and Human Condition | Explores the universal aspects of suffering and the inevitability of death through the tragic tale of Hecuba. |
| Power of Storytelling | Highlights the ability of narratives to evoke empathy and drive actions, as seen in the impact of the play within a play. |
| Deception and Appearance vs. Reality | Examines the theme of deceit and the blurred line between what appears to be true and the actual reality within the court. |
| Justice | Focuses on Hamlet’s contemplation of retribution and the moral complexities surrounding the pursuit of justice. |

Summary First Player’s Speech In Hamlet
In these passages from Shakespeare’s “Hamlet,” a variety of characters consider the passing of time. The enduring quality of love, and the complex interrelationship between fear and love.
The speaker emphasizes the unwavering passage of time as she muses over the cyclical flow of days, moons, and years. Allusions to marriage and love highlight how cyclical and enduring they are, implying that love endures despite time’s inevitable passage.
The speaker acknowledges their own doubts and shows empathy for the person’s recent depression, promising not to add to the person’s misery.
Moreover, the poems explore the complexities of women’s feelings, saying that fear and love are very important to them. The snippets end with a request for details regarding a pivotal moment in the play. It’s by adding suspense and urgency to the unfolding drama.
Symbols In The First Player’s Speech In Hamlet
| Symbol | Context | Interpretation |
| The Hecuba Play | The play within the play that the Player performs | Symbolizes reflection of reality, mirroring the emotional intensity and revenge theme of Hamlet. |
| The Prologue | The opening lines of the Player’s performance | Serves as a framing device, setting the stage for the tragic events that will unfold. |
| The Queen’s Love | The portrayal of Hecuba’s deep love for Priam | Reflects the theme of passionate love and loss, drawing parallels to Hamlet’s own familial struggles. |
| Pyrrhus’ Fury | Pyrrhus’ intense emotions and violent actions | Symbolizes Hamlet’s own inner turmoil, vengeance, and the consequences of unchecked emotions. |
| The Poisoning | King Hamlet’s death by poison in the play | Foreshadows the impending poison-related deaths in the actual plot and signifies betrayal. |
How Significant Is The First Player’s Speech?
The speech made by the first player in Hamlet is very important since it is a clever plot technique. This pivotal scene occurs in a play inside a play, in which the first character tells a tragic story that parallels Hamlet’s life.
This speech turns becomes a catalyst, igniting Hamlet’s doubts and igniting his pursuit of justice and the truth. It deftly blends fact and fiction, giving the plot more nuance and advancing the narrative.
In the end, the first player’s statement serves as a pivotal moment. That moment determines the fates of the characters and solves the secrets at the heart of Shakespeare’s enduring tragedy.
What does he decide to do at the end of this speech?
At the conclusion of this discourse, the speaker is still pressing Hamlet to cooperate on a crucial narrative point by asking him to identify the whereabouts of a body and go with them to the King.
The sample that is offered doesn’t specifically say what Hamlet decides at the end of this speech, but in the larger scheme of the play, Hamlet’s choice about this request ultimately advances the plot.
Who speaks first in Hamlet?
Francisco is the first character to speak in William Shakespeare’s play “Hamlet”. He is a soldier stationed at Elsinore’s castle, keeping watch. Francisco utters the play’s first line, “Who’s there?” Another soldier who is approaching, Bernardo, is the recipient of this line.
The Origin of the “First Player’s Speech” from Hamlet?
The tragedies of Roman playwright Seneca, who had a significant impact on Elizabethan drama, was where the “First Player’s Speech” first appeared. Shakespeare frequently referenced classical works, and this influence is evident in the passage in question.
Ambivalence in the Player’s Speech in Hamlet
The way the player conveys the happiness of performance as well as the understanding of the fleeting nature of achievement and reputation in Hamlet’s Player’s Speech demonstrates the playwright’s ambivalence.
This illustrates more broadly the concepts of appearance versus reality and transience.
What does the scene in Hamlet with the players (II.ii.367–472) reveal?
Several significant elements of the play are revealed in the moment in Hamlet where the players are (Act 2, moment 2, lines 367–472). It illustrates the idea of the ability of art to both mirror and critique reality, as well as Hamlet’s scheme to use the actors to reveal Claudius’s guilt.
Ambiguity Of Death In Hamlet
The characters’ varied perspectives on dying reveal the complexity surrounding death in Hamlet. While other characters, like Ophelia and Gertrude, meet sad ends that emphasize the unpredictability and finality of death, Hamlet wrestles with the idea of mortality and the afterlife.
FAQs
The subject of Hamlet’s second soliloquy is the contemplation of life and death, exploring the existential question of whether it is nobler to endure life’s hardships or to end one’s suffering through death.
At the end of the “to be or not to be” soliloquy, Hamlet does not make a decisive choice; he remains in a state of indecision regarding life and death.
Hamlet’s speech to the players instructs them on how to perform a play that mirrors the circumstances of his father’s murder. It’s by intending to gauge Claudius’s reaction for confirmation of guilt.
Hamlet is upset about the First Player’s ability to express deep emotions for a fictional character while he, Hamlet, struggles with his inability to take decisive action in real-life situations.
Hamlet’s speech reflects his internal struggle with the moral and existential implications of revenge, as well as his contemplation on the consequences of one’s actions.
The significance of the players’ acted-out speech lies in its potential to reveal Claudius’s guilt through his reaction, as Hamlet hopes to confirm the ghost’s accusation of murder.
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